Disowned at birth by his obscenely wealthy family, blue-collar Becket Redfellow will stop at nothing to reclaim his inheritance, no matter how many relatives stand in his way.

Bright and neurotic girl Bell sets two goals for New Year - to quit smoking and to fall in love. As the first task turns out to be too difficult, she puts all her energy into the second.

Arthur, 15, has a crush on Ouassima, who does not even look at him... While he has never been upset, she goes out with Matt, the handsome kid from college. To get closer to her, Arthur gathers a group of single losers and offers to give them lessons in fishing, at 10 euros per lesson. In the changing rooms of the swimming pool, a long intimate and collective learning begins on "girls and love: instructions for use".

Gerhard Steidl has spent the last 40 years printing and publishing books. His legendary, unconditional obsession with his trade has led him to become the publisher of choice for an A list of artists that include Martin Parr, Ed Ruscha, Robert Adams, Jeff Wall and Robert Frank among others. 　　Steidl is himself an artist in his way, travelling the world to discuss the saturation of colours, the perfume of ink and the comparative qualities of paper with his clients, then returning to his presses in Göttingen, Germany to assail his staff with a minutiae of details in his quest for perfection. 　　Steidl’s passion is infectious, his client list unique and the quality of his work without parallel. These, together with his idiosyncratic approach have made him a gift for documentary film makers Gereon Wetzel and Jörg Adolph who spent a year following the meister and his herculean schedule: ten appointments in a day; Los Angeles, Astoria, Nova Scotia and Vancouver in four days, then months at the presses. 　　Their resulting film: ‘How to Make a Book with Steidl’ is a gem of a document. Steidl appears to flit at superhuman tempo between meetings with Karl Lagerfeld in Paris and Günter Grass in Schleswig-Holstein. Then there are hours of travelling, of waiting between appointments and the quiet poetry of loving conversations about art with some of the greatest photographers of the twentieth century. And all the way through the viewer is compelled by the energy with which drives his vision through everyone and everything like a relentless steamroller.

Gerhard Steidl has spent the last 40 years printing and publishing books. His legendary, unconditional obsession with his trade has led him to become the publisher of choice for an A list of artists that include Martin Parr, Ed Ruscha, Robert Adams, Jeff Wall and Robert Frank among others. 　　Steidl is himself an artist in his way, travelling the world to discuss the saturation of colours, the perfume of ink and the comparative qualities of paper with his clients, then returning to his presses in Göttingen, Germany to assail his staff with a minutiae of details in his quest for perfection. 　　Steidl’s passion is infectious, his client list unique and the quality of his work without parallel. These, together with his idiosyncratic approach have made him a gift for documentary film makers Gereon Wetzel and Jörg Adolph who spent a year following the meister and his herculean schedule: ten appointments in a day; Los Angeles, Astoria, Nova Scotia and Vancouver in four days, then months at the presses. 　　Their resulting film: ‘How to Make a Book with Steidl’ is a gem of a document. Steidl appears to flit at superhuman tempo between meetings with Karl Lagerfeld in Paris and Günter Grass in Schleswig-Holstein. Then there are hours of travelling, of waiting between appointments and the quiet poetry of loving conversations about art with some of the greatest photographers of the twentieth century. And all the way through the viewer is compelled by the energy with which drives his vision through everyone and everything like a relentless steamroller.

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Ted McCabe, a retired cop, and Lennie Cahill a retired crim, get together to solve crimes, unravel scams and make some cash, while avoiding the wrath of the police and the underworld.

I Get That A Lot is a reality television special originally created by Danny Harris occasionally airing on CBS, which sets up celebrities in everyday working class jobs. Hidden cameras are used to capture the reactions of unsuspecting customers and bypassers. When the celebrities are recognized, they deny their real identities and say "I get that a lot," until the end of the segment, at which time the cameras are revealed and they come forward about their identities.The first two episodes also aired internationally in Australia on Channel Ten. There is also a French version based on the format, named Sosie! Or Not Sosie?, produced by Carson Prod and aired on French TV leader TF1.

I Get That A Lot is a reality television special originally created by Danny Harris occasionally airing on CBS, which sets up celebrities in everyday working class jobs. Hidden cameras are used to capture the reactions of unsuspecting customers and bypassers. When the celebrities are recognized, they deny their real identities and say "I get that a lot," until the end of the segment, at which time the cameras are revealed and they come forward about their identities.The first two episodes also aired internationally in Australia on Channel Ten. There is also a French version based on the format, named Sosie! Or Not Sosie?, produced by Carson Prod and aired on French TV leader TF1.

Adventures of the "How to Rip Whale Tooth" (1977) heroes continue... The story takes place in the countryside, where little Vashko's dad takes him and his mother, and where another surprise awaits them: not only an excellent holiday in the setting of a rock town, but also the figure of a grandfather, understanding all the dangerous beliefs in the turbulent surface of the renewed relationship of the three closest people. Vasek's other wish comes true - his dad teaches him the secrets of rock climbing. This shared passion, however, causes further conflicts between the two parents - much to the chagrin of both Vasek and his grandfather.